Events

Join us for visiting lectures, workshops, and exhibitions!

Fall 2023 Events

“I didn’t See You there” Film Screening and Booklet Launch

Join us in celebrating the launch of the ‘An accessible university means…’ booklet/survey created by the Crip* Internship Group with a screening of the award-winning film ‘I Didn’t See You There’ by Reid Davenport!

Members of the Crip* Internship will introduce the ‘Instances of Ableism’ survey and ‘An accessible university means…’ booklet, created throughout the Spring and Fall of 2023. Limited edition risograph printed copies of the booklet/survey will be available for free for event attendees.

This is a hybrid event, select your participation preference when you register: https://tinyurl.com/28edtn5t

CRIP* Spring 2023 Lecture Series

The following artist/scholars will visit campus to hold public events and interact with the Crip* graduate seminar. 

event list 2

Crip* Symposium

Friday, May 5, 2023, 7:00pm – 9:00pm

Hybrid Event: Zoom and In-Person at the Levis Faculty Center

Join us for an evening of new work by Crip* affiliated graduate students, undergraduate students, and Crip* X BOW artist fellows—projects created at the intersections of cripistemology and their respective creative/critical praxes.

Whereas an * supplants
Whereas an * delays
Whereas an * was/is/can be elsewhere
Whereas an * is the meniscus while the cup runneth over
Whereas an * refers and is referred to— ‘…back and forth, forever’
Whereas an * vacates
Whereas an * is an excess, surplus, and/or reflux
Whereas an * is unaccounted for, unreliable, and irreconcilable
Whereas an * is etc.
Therefore…___________Crip* Symposium_________________

Please register through this form.

A group of Black men are standing next to each other. They are dressed in suits, ties and hats. Above them is a wide expanse of sky. The colors in this still image from Handsworth Songs are very muted, almost black and white. The captions at the bottom of the screen read "But today, they only heard the waters heartbeat."

Event List

Accessing Handsworth Songs: a conversation on Audio Description

Friday, April 14, 2023, 9:30am
Zoom

Elaine Lillian Joseph spent 2021 working on the audio description for Black Audio Film Collective’s seminal 1986 film Handsworth Songs. Commissioned by Dr Sarah Hayden of Voices in the Gallery, the project involved making the film more, and differently, accessible through audio description and creative captions. Elaine will walk us through the research, scripting and recording process, offering some insights into her practice. The session will also include extracts from slow emergency siren, ongoing, the publication which makes the captions and audio description available as texts that can be read or heard as well as a short taster of her approaches to two of the most challenging scenes in the film.

Visit the event link to learn more and register.

A group of Black men are standing next to each other. They are dressed in suits, ties and hats. Above them is a wide expanse of sky. The colors in this still image from Handsworth Songs are very muted, almost black and white. The captions at the bottom of the screen read "But today, they only heard the waters heartbeat."
A still image from the film Handsworth Songs. A group of three white policemen equipped with shields and helmets surround someone. Behind them on a brick wall three Black people are sitting. The captions at the bottom of the image read “[muddy distortion ripples beneath mournful, howling notes]”.

Event List

slow emergency siren, ongoing – Talk & Film Screening

Thursday, April 13, 2023, 5:30pm

Black Audio Film Collective’s 1986 Handsworth Songsis an experimental documentary about uprisings against racialized police violence in Thatcherite Britain. Crucially, it is also a critique of their media coverage and colonial pre-histories. Sarah Hayden will give a hybrid talk which will be followed screening of Handsworth Songs with augmented audio-description by Elaine Lillian Joseph and creative captions by Care-fuffle Working Group. This new version of the film came about through slow emergency siren, ongoinga year-long project, led by LUX and Sarah Hayden, to make Handsworth Songs newly and differently accessible.

Visit the event link to learn more and register.

A still image from the film Handsworth Songs. A group of three white policemen equipped with shields and helmets surround someone. Behind them on a brick wall three Black people are sitting. The captions at the bottom of the image read “[muddy distortion ripples beneath mournful, howling notes]”.
TL and Dustin pose for a photo after a conversation in 2019. Dustin, a light skinned Black man with a thick beard, has his arm around TL’s shoulder with a clenched fist of unity/power. Dustin’s black hoodie says “all prisons are for profit” and he sports a St. Louis Cardinals hat and backpack. TL is a Black medium complexion genderfluid person with a very low haircut and brown circle-framed glasses who comes up to just above Dustin’s shoulder height. TL is wearing a white shirt with a knit black cardigan over it. TL & Dustin are wearing deep green colored pants. TL & Dustin lean against each other with pride. The background has been lightened but behind Dustin and TL there is a partial image of a collaged poster of many different photographs, bookshelves and tables with chairs.

Event List

Dustin Gibson & Talila “TL” Lewis in Conversation: Reflections on Disability Justice

Thursday, March 30, 2023, 5:30pm

Dustin and TL will come together to reflect on the work they’ve been involved in separately and together. Sharing reflections and learnings from campaigns and organizations set up to abolish policing, prisons and institutions with a specific focus on how ableism is a central feature. They’ll share thoughts on the co-optation of disability justice and offer interventions to strengthen applications of disability justice that adhere to anti-imperialist and abolitionist principles.

Visit the event link to learn more and register.

TL and Dustin pose for a photo after a conversation in 2019. Dustin, a light skinned Black man with a thick beard, has his arm around TL’s shoulder with a clenched fist of unity/power. Dustin’s black hoodie says “all prisons are for profit” and he sports a St. Louis Cardinals hat and backpack. TL is a Black medium complexion genderfluid person with a very low haircut and brown circle-framed glasses who comes up to just above Dustin’s shoulder height. TL is wearing a white shirt with a knit black cardigan over it. TL & Dustin are wearing deep green colored pants. TL & Dustin lean against each other with pride. The background has been lightened but behind Dustin and TL there is a partial image of a collaged poster of many different photographs, bookshelves and tables with chairs.
a person uses a white cane on a road while a line of people hold on one by one with their eyes closed

another event

Performance: “Blind Field Shuttle” with Artist Carmen Papalia

Friday, March 24, 2023, 12:00pm

Blind Field Shuttle is a non-visual walking tour in which participants line up behind the artist, link arms, and agree to shut their eyes for a roughly hour-long walk. Papalia describes the experience as an opportunity for the participant to unlearn visual primacy and use their non-visual senses as a primary way of knowing the world. The project grew out of the artist’s choice to describe himself as a “non-visual learner” and exists as one in a series of related works that highlights the unseen bodies of knowledge in non-visual space.

Visit the event link to learn more and register.

 

a person uses a white cane on a road while a line of people hold on one by one with their eyes closed
a marching band with people playing drums and horns marches down the street

Event List

Carmen Papalia Public Artist Talk (Hybrid)

Monday, March 20, 2023, 5:30pm

Born in 1981, Carmen Papalia is a nonvisual social practice artist with chronic and episodic pain. He uses organizing strategies and improvisation to address his access to public space, art institutions and visual culture. As a convener, he establishes welcoming spaces where disabled, sick and chronically ill people can build capacity for care that they lack on account of governmental failure and medical ableism. His work, which takes forms ranging from collaborative performance to public intervention, is a response to the harms of the Medical Model of Disability. 

Visit the event link to learn more and register.

a marching band with people playing drums and horns marches down the street
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